{"product_id":"giants-of-the-cello-the-greatest-cello-recordings-10-cds","title":"GIANTS OF THE CELLO - THE GREATEST CELLO RECORDINGS (10 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_7f1bb96b-e3d3-415f-a0d9-093dfd02207b.png?v=1634657657\u0026amp;width=700\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis 10 CD box set contains some of the world’s best classical cellists: Jacqueline du Pré, Pablo Casals, Mstislav Rostropovich, Pierre Fournier, Paul Tortelier, Gregor Piatigorsky and Emanuel Feuermann. These high-class interpretations include some of the most significant recordings of all-time.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe set features accompanying artists of the highest order, including Friedrich Gulda, Rudolf Serkin, Jascha Heifetz, Arthur Rubinstein and others. They perform concertos and chamber music by Bach, Beethoven, Brahms, Tchaikovsky, Walton, Bruch and others.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_8cb12d8f-85b6-45a7-ba7f-63003d51dd34.png?v=1634836548\u0026amp;width=700\"\u003e\u003c\/p\u003e\n\u003cp\u003eJacqueline du Pré\u003cbr\u003eJohann Sebastian Bach ( 1685-1750)\u003cbr\u003eSuite für Violoncello Nr. 1 G-Dur, BWV 1007\u003cbr\u003e 1. I. Prélude\u003cbr\u003e 2. II. Allemande\u003cbr\u003e 3. III. Courante\u003cbr\u003e 4. IV. Sarabande\u003cbr\u003e 5. V. Menuet I \u0026amp; II\u003cbr\u003e 6. VI. Gigue\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSuite für Violoncello Nr. 2 d-Moll BWV 1008\u003cbr\u003e 7. I. Prélude\u003cbr\u003e 8. II. Allemande\u003cbr\u003e 9. III. Courante\u003cbr\u003e 10. IV. Sarabande\u003cbr\u003e 11. V. Menuet I \u0026amp; II\u003cbr\u003e 12. VI. Gigue\u003cbr\u003eaufg. 1962\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD2\u003cbr\u003ePablo Casals\u003cbr\u003eEdward Elgar (1857-1934)\u003cbr\u003eCellokonzert e-Moll op. 85\u003cbr\u003e 1. I. Adagio. Moderato\u003cbr\u003e II. Lento. Allegro molto\u003cbr\u003e 2. III. Adagio\u003cbr\u003e 3. IV. Allegro. Moderato. Allegro ma non troppo\u003cbr\u003ePablo Casals, Cello; BBC Symphony Orchestra;\u003cbr\u003eDirigent: Sir Adrian Boult - aufg. 1945\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJohann Sebastian Bach (1685-1750)\u003cbr\u003eSuite für Violoncello Nr. 3 C-Dur, BWV 1009\u003cbr\u003e 4. I. Prelude\u003cbr\u003e 5. II. Allemande\u003cbr\u003e 6. III. Courante\u003cbr\u003e 7. IV. Sarabande\u003cbr\u003e 8. V. Bourrée I \u0026amp; II\u003cbr\u003e 9. VI. Gigue\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSuite für Violoncello Nr. 4 Es-Dur, BWV 1010\u003cbr\u003e 10. I. Prélude\u003cbr\u003e 11. II. Allemande\u003cbr\u003e 12. III. Courante\u003cbr\u003e 13. IV. Sarabande\u003cbr\u003e 14. V. Bourrée I\/II\u003cbr\u003e 15. VI. Gigue\u003cbr\u003ePablo Casals, Cello\u003cbr\u003eaufg. 1936 (4-9), 1939 (10-15)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD3\u003cbr\u003ePablo Casals\u003cbr\u003eLudwig van Beethoven (1770-1827)\u003cbr\u003eSonate für Klavier und Cello Nr. 1 F-Dur op. 5,1\u003cbr\u003e 1. I. Adagio sostenuto. Allegro. Adagio. Presto\u003cbr\u003e 2. II. Rondo: Allegro vivace\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSonate Nr. 5 D-Dur op. 102, 2\u003cbr\u003e 3. I. Allegro con brio\u003cbr\u003e 4. II. Adagio con molto sentimento d´affetto\u003cbr\u003e 5. III. Allegro. Allegro fugato\u003cbr\u003e 6. 7 Variationen über „Bei Männern welche Liebe fühlen“\u003cbr\u003e aus Mozarts „Zauberflöte“\u003cbr\u003ePablo Casals, Cello; Rudolf Serkin, Klavier\u003cbr\u003eaufg.: 1951 (1-2, 6); 1953 (3-6)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD4\u003cbr\u003ePierre Fournier\u003cbr\u003eJohannes Brahms (1833 – 1897)\u003cbr\u003eDoppelkonzert a-Moll op. 102\u003cbr\u003e 1. I. Allegro\u003cbr\u003e 2. II. Andante\u003cbr\u003e 3. III. Vivace non troppo. Poco meno allegro\u003cbr\u003eDavid Oistrach, Violine; Pierre Fournier, Cello; Philharmonia\u003cbr\u003eOrchestra, Dirigent: Alceo Galliera - aufg. 1956\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMax Bruch (1838-1920)\u003cbr\u003e 4. Kol Nidrei op. 47 – Adagio nach hebräischen Melodien\u003cbr\u003e Adagio ma non troppo. Un poco animato\u003cbr\u003ePierre Fournier, Cello; Orchestre Lamoureux, Paris, Dirigent:\u003cbr\u003eJean Martinon - aufg. 1960\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCamille Saint-Saëns (1835 – 1921)\u003cbr\u003eCellokonzert Nr. 1 a-Moll op. 33\u003cbr\u003e 5. I. Allegro non troppo\u003cbr\u003e 6. II. Allegretto con moto\u003cbr\u003e 7. III. Tempo I\u003cbr\u003ePierre Fournier, Cello; Philharmonia Orchestra; Dirigent: Walter\u003cbr\u003eSusskind - aufg.: 1947\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e 8. Der Schwan (aus: Karneval der Tiere)\u003cbr\u003ePierre Fournier, Cello; Gerald Moore, Klavier - aufg.: 1946\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD5\u003cbr\u003ePierre Fournier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAntonín Dvorák (1841-1904)\u003cbr\u003eCellokonzert h-Moll op. 104\u003cbr\u003e 1. I. Allegro vivo\u003cbr\u003e 2. II. Adagio ma non troppo\u003cbr\u003e 3. III. Finale: Allegro moderato\u003cbr\u003ePierre Fournier, Cello; Berliner Philharmoniker;\u003cbr\u003eDirigent: George Szell - aufg. 1961\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLudwig van Beethoven (1770-1827)\u003cbr\u003eSonate für Klavier und Cello Nr. 2 g-Moll op. 5, 2\u003cbr\u003e 4. I. Adagio sostenuto e espressivo.\u003cbr\u003e Allegro molto più tosto presto\u003cbr\u003e 5. II. Rondo: Allegro\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSonate für Klavier und Cello Nr 3 A-Dur op. 69\u003cbr\u003e 6. I. Allegro ma non tanto\u003cbr\u003e 7. II. Scherzo: Allegro molto\u003cbr\u003e 8. III. Adagio cantabile. Allegro vivace\u003cbr\u003ePierre Fournier, Cello; Friedrich Gulda, Klavier - aufg.: 1959\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD6\u003cbr\u003ePaul Tortelier\u003cbr\u003eEdward Elgar (1857-1934)\u003cbr\u003eCellokonzert e-Moll op. 85\u003cbr\u003e 1. I. Adagio. Moderato\u003cbr\u003e 2. II. Lento. Allegro molto\u003cbr\u003e 3. III. Adagio\u003cbr\u003e 4. IV. Allegro. Moderato. Allegro ma non troppo\u003cbr\u003ePaul Tortelier, Cello; BBC Symphony Orchestra;\u003cbr\u003eDirigent: Sir Malcolm Sargent - aufg.: 1953\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJohann Sebastian Bach (1685-1750)\u003cbr\u003eSuite für Violoncello Nr. 5 c-moll, BWV 1011\u003cbr\u003e 5. I. Prélude\u003cbr\u003e 6. II. Allemande\u003cbr\u003e 7. III. Courante\u003cbr\u003e 8. IV. Sarabande\u003cbr\u003e 9. V. Gavotte I \u0026amp; II\u003cbr\u003e 10. VI. Gigue\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSuite für Violoncello Nr. 6 D-Dur, BWV 1012\u003cbr\u003e 11. I. Prélude\u003cbr\u003e 12. II. Allemande\u003cbr\u003e 13. III. Courante\u003cbr\u003e 14. IV. Sarabande\u003cbr\u003e 15. V. Gavotte I \u0026amp; II\u003cbr\u003e 16. VI. Gigue\u003cbr\u003ePaul Tortelier Cello - aufg. 1960\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD7\u003cbr\u003eMstislaw Rostropowitsch\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSergej Prokofjew (1891 – 1953)\u003cbr\u003eSinfonie für Cello und Orchester op. 125\u003cbr\u003e 1. I. Andante\u003cbr\u003e 2. II. Allegro gusto\u003cbr\u003e 3. III. Andante con moto\u003cbr\u003eMstislaw Rostropowitsch, Cello; Staatliche Philharmonie\u003cbr\u003eLeningrad; Dirigent: Kurt Sanderling - aufg. 1954\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDimitri Schostakowitsch (1906 – 1975)\u003cbr\u003eCellokonzert Nr. 1 Es-Dur op. 107\u003cbr\u003e 4. I. Allegretto\u003cbr\u003e 5. II. Moderato\u003cbr\u003e 6. III. Cadenza\u003cbr\u003e 7. IV. Allegro con moto\u003cbr\u003eMstislaw Rostropowitsch, Cello; Philadelphia Orchestra;\u003cbr\u003eDirigent: Eugene Ormandy - aufg.: 1959\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSergej Prokofjew\u003cbr\u003e 8. Adagio (Cinderella)\u003cbr\u003eMstislaw Rostropowitsch, Cello; Alexander Dedyukhin, Klavier\u003cbr\u003eaufg. 1954\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD8\u003cbr\u003eMstislaw Rostropowitsch\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRobert Schumann (1810-1856)\u003cbr\u003eCellokonzert a-Moll op. 129\u003cbr\u003e 1. I. Nicht zu schnell\u003cbr\u003e 2. II. Langsam\u003cbr\u003e 3. III. Sehr lebhaft\u003cbr\u003eMstislaw Rostropowitsch, Cello; Leningrader Philharmoniker;\u003cbr\u003eDirigent: Gennadi Rozhdestvensky - auf. 1960\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKlaviertrio Nr. 1 d-Moll op. 63\u003cbr\u003e 4. I. Mit Energie und Leidenschaft\u003cbr\u003e 5. II. Lebhaft, doch nicht zu rasch\u003cbr\u003e 6. III. Langsam, mit inniger Empfindung\u003cbr\u003e 7. IV. Mit Feuer\u003cbr\u003eEmil Gilels, Klavier; Leonid Kogan, Violin\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD9\u003cbr\u003eGregor Piatigorsky\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWilliam Walton (1902-1983)\u003cbr\u003eCellokonzert\u003cbr\u003e 1. I. Moderato\u003cbr\u003e 2. II. Allegro appassionato\u003cbr\u003e 3. III. Tema con improvvisazioni\u003cbr\u003eGregor Piatigorsky, Cello; Boston Symphony Orchestra;\u003cbr\u003eDirigent: Charles Munch - aufg. 1957\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePeter I. Tschaikowsky (1840-1893)\u003cbr\u003eKlaviertrio a-Moll op. 50\u003cbr\u003e 4. Pezzo elegiaco: Moderato assai\u003cbr\u003e 5. A. Tema con variazioni: Andante con moto\u003cbr\u003e Variazioni\u003cbr\u003e 6. I.\u003cbr\u003e 7 II. Più mosso\u003cbr\u003e 8. III. Scherzando: Allegro moderato\u003cbr\u003e 9. IV. L’istesso tempo\u003cbr\u003e 10. V. L’istesso tempo\u003cbr\u003e 11. VI. Tempo di valse\u003cbr\u003e 12. VII. Allegro moderato\u003cbr\u003e 13. VIII. Fuga: Allegro moderato\u003cbr\u003e 14. IX. Andante flebile, ma non tanto\u003cbr\u003e 15. X. Tempo di Mazurka\u003cbr\u003e 16. XI. Moderato\u003cbr\u003e 17. B. Variazione Finale e Coda: Allegro risoluto con fuoco\u003cbr\u003eArthur Rubinstein, Klavier; Jascha Heifetz, Violine;\u003cbr\u003eGregor Piatigorsky, Cello - aufg. 1950\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e CD10\u003cbr\u003eEmanuel Feuermann\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJohannes Brahms (1833 – 1897)\u003cbr\u003eDoppelkonzert a-Moll op. 102 33\u003cbr\u003e 1. I. Allegro\u003cbr\u003e 2. II. Andante\u003cbr\u003e 3. III. Vivace non troppo. Poco meno allegro\u003cbr\u003eJascha Heifetz, Violine; Emanuel Feuermann, Cello;\u003cbr\u003ePhiladelphia Orchestra, Dirigent: Eugene Ormandy aufg. 1939\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLudwig van Beethoven (1770-1827)\u003cbr\u003eKlaviertrio op. 97 „Erzherzog”\u003cbr\u003e 4. I. Allegro moderato\u003cbr\u003e 5. II. Scherzo: Allegro\u003cbr\u003e 6. III. Andante cantabile, ma però con moto\u003cbr\u003e 7. IV. Allegro moderato. Presto\u003cbr\u003eArthur Rubinstein, Klavier; Jascha Heifetz, Violine;\u003cbr\u003eEmanuel Feuermann,Cello - aufg.1941 \u003c\/p\u003e","brand":"FERMATA","offers":[{"title":"Default Title","offer_id":68178691424405,"sku":"zif1794050867756","price":16.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/0751\/5797\/files\/giants-of-the-cello---the-greatest-cello-recordings-10-cds_1.jpg?v=1794050872","url":"https:\/\/gorpcorego.shop\/products\/giants-of-the-cello-the-greatest-cello-recordings-10-cds","provider":"My Store","version":"1.0","type":"link"}